《再见二十世纪》的叙事结构如同一场刻意断裂的末世拼图，导演米特沃斯基与波波夫斯基放弃了线性因果，用三章互不粘连的寓言式段落堆砌出荒诞的末世图景——核爆后的废墟中，幸存者用捡来的文明碎片拼凑出扭曲的日常。演员的表演同样拒绝写实，拉扎尔·里斯托夫斯基穿着破斗篷站在垃圾堆上演讲时，那种悲怆与滑稽的拉扯让人想起塔可夫斯基的《牺牲》被涂鸦覆盖后的样子。演员们的表演带点疯癫和无助，比如拉扎尔·里斯托夫斯基对着空无一人的街区自言自语，不仅没让你笑出来，反而像被什么堵住了胸口。故事跳着讲，一会儿跟主角瞎跑，一会儿冒出个莫名其妙的怪物，吓得你一愣一愣的。这部电影适合那些对历史创伤和集体记忆有感触的观众，尤其是能接受缓慢节奏、愿意在沉闷中体会绝望的人。剧情东拉西扯，一会儿讲核爆，一会儿冒出来个会说话的婴儿，全是超现实的黑色幽默。

SUPERCOOL马其顿动作幻想片！　　sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it... so, the best thing i could say about Zbogum na 20 vek is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.510

相关搜索：

再见二十世纪背后故事
21世纪的爱情
汪峰歌曲再见20世纪
再见二十世纪表达了什么
二十年再见的感悟