故事是这样的：一场核战争将地球化为废墟，仅剩的五个人在荒凉的山间木屋中相遇，试图从零开始重建生活。推荐给那些不介意老式节奏、愿意在沉默和凝视中体会末世心理挣扎的观众，尤其适合配一杯热茶，在安静的深夜独自看完。 影片几乎放弃了科幻片惯用的特效，转而用近乎舞台剧的手法，把镜头紧锁在人物脸上。William Phipps饰演的年轻主角在绝望中仍试图维持理性，而James Anderson扮演的商人则把自私写在每一个焦虑的微表情里——没有一句多余的台词，观众却能清晰读出两人的对峙。James Anderson演的反派角色更不靠咆哮耍狠，一个抠门缝的细节就能让人后背发凉。 ❀。

Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet.　　While most of the later movies exploited this possibility for B-movie thrills, Five adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.

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