如果你正在犹豫要不要看，我可以告诉你：这部喜剧有点“反套路”——女主一边穿着束身衣扮优雅，一边套上小丑服在脱口秀舞台上自嘲，导演把这两种身份像拼贴画一样叠在一起，笑点常从尴尬的切换中冒出来。最妙的是结尾没有强行和解，反而留了点酸涩的暖意。主演艾利克斯·布诺斯町那表情和语气特别生活化，有时候一个白眼就能让你笑出声，Eric Mills和Salva Rey几个配角也不抢戏，但每次出场都像给剧情加了点小辣椒。适合偏好结构喜剧、对身份表演有思考的观众，尤其是看过《假日回响》之类实验性喜剧的人。她模仿贵妇试衣时手指捏紧拉链的细碎声响，转身又用夸张的假笑卡住高音气口，这种从肢体到台词的精确咬合，让每个梗都像从真实窘迫里长出来的。艾利克斯·布诺斯町把那种“硬撑体面又随时崩盘”的状态演得很实在，不需要夸张表情，光是一个攥着裙摆深呼吸的动作就能让人笑出声。

　　The special, which comes as Borstein and her co-stars embark on another crowded awards season, is being billed as the three-time Emmy winner’s “deeply personal and wildly fictitious account of one woman’s attempt to f*** with perception.”
　　Fittingly, it was filmed at The Wolford Theatre, the fictional burlesque club from Maisel‘s fourth season, and relied on the award-winning crafts team from the show.

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