比起《禁闭岛》那种用反转收束悬念的套路，查理尔更沉迷于让观众和主角一起“迷失”——全片几乎没有背景音乐，只有病房里空调的嗡鸣、走廊脚步的回响，连配乐都省去了，全靠环境音堆出窒息感。适合喜欢《禁闭岛》这类心理惊悚片、享受在细节里挖伏笔的观众。他不甘心，开始循着模糊的记忆碎片去调查，却发现妻子、同事甚至病人本人都给出相互矛盾的证词。 ❀。这种近乎纪录片的冷感，反而让“患者身份存疑”的悬念更加渗人：当病房门牌号在镜头死角悄然改变，你才意识到自己早已掉进记忆的迷宫。导演用近乎白描的镜头语言，把一个失踪案拍成了对记忆与信任的拷问。

　　The 19 years old Thomas wakes up in a hospital after three years in a coma. He doesn't remember anything. The psychologist Anna tells him that his family has been murdered and that he is the only survivor of the massacre while his sister Laura is still missing.

相关搜索：