如果你正在犹豫要不要看，我可以告诉你：这部片子不会用突然的尖叫或廉价惊吓来糊弄你，导演豪梅·巴拉格罗延续了《死亡录像》里那种“用环境磨人”的耐心——大量固定机位长镜头，配合潮湿阴暗的室内光线，让恐惧从墙壁缝隙里渗出来。剧情亮点在于“哀神”并非具象怪物，而是通过重复出现的符号（一扇总在深夜自行开启的门、丈夫遗物里夹着的老照片）层层剥开家庭创伤。 ♪。巴拉格罗这次放弃了《死亡录像》式的奔跑镜头，转而用大量固定长焦和极简配乐，让恐惧从人物的呼吸间隙里渗出来。艾斯特·爱珀斯托把一个被哀痛逼到边缘的母亲演得特别真实，她对着空房间低声说话时喉咙发紧的颤抖，比任何尖叫都让人心揪。露西亚开始怀疑，这栋楼里还住着另一个“人”——一个靠哀伤喂养的存在。

　　When go-go dancer Lucía nicks a fortune in designer drugs from her mafia employers, the mobsters’ dogged pursuit forces her to seek sanctuary with her estranged sister Rocío and niece Alba in “The Venus,” a decrepit apartment complex on the outskirts of Madrid. As terrible, rotten, no-good luck would have it, Lucía soon finds herself sole guardian to little Alba after Rocío suddenly flies the concrete coop, unable to handle the supernatural stress of living in a monolith that is apparently also host to a malignant evil — one that invades its tenants’ waking nightmares.
　　Taking a few cues from H.P. Lovecraft’s “The Dreams in the Witch House,” "Venus" piles on the blood and bombshells like a double bill of "Demons 2" and "The Sentinel".
　　源自：https://poff.ee/en/film/venus/

相关搜索：