如果你正在犹豫要不要看，我可以告诉你：这部剧最特别的地方在于，它把镜头对准了日常琐碎里的暗涌——没有狗血冲突，却靠人物之间欲言又止的眼神、反复搓揉的衣角来推进剧情。第二季延续了Chloé Robichaud标志性的散点叙事，七八条线索像咖啡馆桌上的糖包一样松散摊开，却能让每个角色都活出细微的疼与痒。演员们的表演毫无“演”的痕迹，伊夫林·布洛初和埃米莉·勒克莱尔·科泰的对手戏里，一个眼神的躲闪都比十句台词更有分量。相比同类作品常把女性情谊拍成“撕扯与和解”的套路，这部戏反而把镜头对准日常缝隙里的暧昧——没有惊天动地的表白，只有眼神停留的时长、指尖触碰后的停顿，以及对话间突然的沉默。导演Chloé Robichaud很擅长捕捉那些“把话咽回去”的瞬间——比如伊夫林·布洛初饰演的角色在酒吧里盯着前女友与人调情，只靠一个抿酒的动作就把不甘和假装洒脱演透了。演员群像中，Evelyne Brochu与Kimberly Laferriere的对峙戏尤其突出，前者用克制而颤抖的声线传递出内心崩塌的细节，后者则通过一个长达三分钟的越肩镜头完成从愤怒到脆弱的表情渐变。

　　In this new series, the director Chloé Robichaud, whose first film Sarah préfère la course had a remarkable international career after its official opening at the prestigious Cannes Film Festival, takes us back to the intersecting lives of a dozen characters and offers a new look on the world of lesbians in Quebec.
　　“As a fresco representing different women – 18 to 42 years old – each episode explores the life of one before reuniting them. It’s a little bit of a tribute, a portrait, and a wink to each woman. This is a series about love between women. Life on a daily basis, a 10- minute capsule, times 8. I hope that in these women, many will see their own realities, whether homosexual or not”, says Chloé Robichaud.
　　Macha Limonchik and Sarah-Jeanne Labrosse join the cast composed of several talented actresses among which, Eve Duranceau, Noémie Yelle, Eliane Gagnon, Carla Turcotte, Julianne Côté, Émilie Leclerc-Côté, Alexa-Jeanne Dubé, Kimberly Laferriere and Marie-Evelyne Lessard. A few surprise guests also made memorable performances on some of the episodes.

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