看《芳心封鎖》时，那种压抑感像潮水一样慢慢漫上来，让人心里堵得慌却又忍不住想看下去。字幕版的对话间隙尤为关键，那是Almagor留给你的填空题。直到一个总来买诗集的出版商出现，他不说话时会轻轻舔舐拇指翻页，这个小动作像把钥匙，慢慢打开了她封闭的心。如果你偏爱那种需要静下心来体味、在平淡叙事中暗藏汹涌情绪的文艺片，这部关于记忆与遗忘的佳作绝对值得你花时间细细咀嚼。** 影片用近乎纪录片的克制语调，讲述中年寡妇在基布兹农场与亡夫阴影的缠斗。剧情也没什么高潮，就是讲一个女人怎么在孤独里把自己的心动慢慢熬成灰烬，甚至连“爱上谁”都像场不敢说出口的秘密，比现在那些工业糖精爱情片实在一百倍。

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

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