别急着翻页，比起老版本里那种端着的贵族腔调，这部1973年版《简爱》把现实主义的手法拿捏得最准。 ✿。 Sorcha Cusack精准拿捏了简在内心渴望与外部现实之间的张力，将角色那种“即使贫穷也不出卖尊严”的坚韧诠释得入木三分。演出的动人之处在于把握住了“克制”的分寸：面对虐待她的里弗斯太太，她没有恶毒报复，而是一种历经沧桑后面对琐碎的疲惫感。如果你喜欢慢节奏、注重人物内心探索，或者对那种灰暗清冷色调下的经典爱情故事感兴趣，这部电影值得你静下心来细细品味。Joan Craft导演拍得很克制，最戳人的其实是简那股子“傲气”，即便落魄了也不肯弯腰，那个坐在小板凳上吃牛奶的场景，看着都让人心里发酸又莫名挺直了腰板。

　　After a childhood that would have broken weaker girls, Jane Eyre finds a respectable position as governess to the ward of the enigmatic Mr. Rochester. Twenty years her senior, brusque, and hardened by loss, Mr. Rochester finds his spirited new employee strangely bewitching. Despite the social chasm that divides them, they are drawn to each other as equals and contemplate true happiness at last. But there is an impediment to their love that tests Jane’s integrity and strength almost beyond endurance.
　　Considered by many to be the best adaptation of Charlotte Brontë’s romantic classic, this BBC miniseries is true to the original story, with dialogue taken directly from the novel. Best of all is the perfect casting and chemistry of the unlikely lovers, with Sorcha Cusack (Casualty) as Jane and Michael Jayston (Tinker, Tailor, Soldier, Spy) as Mr. Rochester.

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