# 《第七颗子弹》观影推荐 相比同时期苏联战争片动辄千军万马的宏大叙事，这部1973年的中亚题材作品更像一出沙漠舞台上的心理角力。尤其推荐给喜欢《红色沙漠》或者莱昂内式慢镜头的朋友，这部片子的节奏就像一把缓缓抽出的匕首，不急着刺人，但刀锋一直亮着。Dilorom Kambarova演的女性也不是扛枪的花瓶，而是用几句对话和一次选择推动了整个结局。 推荐理由：影片用粗粝的胶片质感拍出荒漠的苍凉，叙事克制而冷峻——没有轰烈配乐，靠马蹄踏沙的声响和风沙里的对峙制造张力。主演乔克莫罗夫以近乎木然的克制表演，传递出极端环境下意志与肉身的撕裂感，而非常见英雄主义的亢奋。导演拍得真狠，每颗子弹都像憋着股劲，节奏慢悠悠的，可紧张感一点没少。

　　The Seventh Bullet is a Soviet Ostern film of 1972 directed by Ali Khamraev. In the same tradition as The White Sun of the Desert and The Bodyguard, The Seventh Bullet is set after the Russian Civil War which ended in the 1920s when Soviet power established itself in Central Asia in the wake of the Basmachi rebellion. Despite this slight shift in emphasis and a post-war setting, The Seventh Bullet is closer to a typical war film than other Red Westerns because of a prominence of tactical resourcefulness in the development of the plot. Although of course this is a staple of many American Westerns from John Ford's cavalry series to the many Apache war films.
　　Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left—the seventh, and he must not miss his target!

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