《文艺复兴解锁》简直是给艺术迷的一场饕餮盛宴。导演Januszczak节奏明快，他像个讲故事的人一样，把复杂的艺术史拆解得生动有趣。导演Januszczak是个戏精，自己跑到卢浮宫、乌菲齐等画室，用夸张的肢体语言和毒舌解说，硬是把一堆老油画翻出了“少年漫”般的燃感。如果你是艺术门外汉，或是喜欢轻松幽默的人文历史题材，这部片绝对值得一看。影片摒弃了枯燥的学术堆砌，采用极具动感的快节奏剪辑，把圣坛上的画作“拉”下来，变成了鲜活的历史现场。 不过看这部剧你得有心理准备：如果你对艺术史一窍不通，可能会被那些术语和倒叙搞得云里雾里；但如果你就是个考据党，喜欢在艺术品里找彩蛋，那你绝对会看得津津有味，既上头又涨知识。

　　According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

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