如果你正在犹豫要不要看，我可以告诉你：《艾米利亚的孩子》不是那种靠突然跳脸吓人的恐怖片，它的寒意来自葡萄牙乡间潮湿的泥地和压抑的室内光线。艾米利亚翻出前屋主留下的旧物，发现这栋房子似乎和一场诡异的“生育仪式”有关，而孩子身上的淤青，并不像是自己磕碰出来的。剧情嘛，表面是育儿焦虑，实际藏了好多宗教隐喻，看完得琢磨半天。剧情没有明确解释孩子到底在哪、发生了什么，而是让线索像碎玻璃一样散落在对话和场景中，需要观众自己拼凑。对情绪氛围敏感、喜欢慢热型心理恐怖的观众应该会沉浸其中，但追求快速惊吓或血腥场面的观众可能会觉得节奏太缓。故事在“孩子到底是不是普通孩子”的悬念里慢慢收紧，没有廉价反转，而是用日常细节——比如喂饭时多出来的手指印、半夜的哼唱声——让你后背发凉。

　　When Edward’s search for his birth family takes him and his girlfriend Ryley to a magnificent villa high in the mountains of northern Portugal, he is excited to meet his long-lost mum and twin brother. Finally, he’ll be able to find out who he is and where he comes from. But nothing is as it seems, and Edward soon discovers that he is bound to them by a monstrous secret. First foray into horror by one of the surest assets of Portuguese cinema.
　　After the visual delirium of “Diamantino” that won him the Critics’ Week prize at Cannes, Gabriel Abrantes surprises with a more classic horror film around the mystery of family origins, but also following the Portuguese canon of country vs. city. Carloto Cotta in a double performance, Alba Baptista and Anabela Moreira in very challenging roles.
　　源自：https://poff.ee/en/film/amelias-children/

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