如果你看腻了韩国惊悚片中那些靠声嘶力竭的尖叫或镜头语言堆砌来博眼球的快节奏作品，这部《剥夺》就像是一场克制的实验。如果你厌倦了充满滤镜的虚构故事，想看一部能照见现实骨血的扎实作品，这部片子绝对值得一看。两位主演的表现精准克制，没有歇斯底里的爆发，而是通过细微的眼神流动和肌肉紧绷来传递危机。故事聚焦于高中生和妻子在停车场发生意外后的深夜，导演用几乎静止的长镜头和极具张力的对话，勾勒出两条在恐惧中缓慢错位的救援轨迹。导演KIM Solhae和LEE Dojin用一种近乎催眠的节奏，模糊了善恶界限，并未急于给出廉价的共情。孙锡久与金东辉的对手戏并非简单的打打杀杀，而是像解剖刀一样精准地切入“人”与“野兽”的边界。

　　Ji-yeon and Do-jin are exhausted from years of IVF treatment. They don't remember what life was like before. She continues to experience the pain of separation from a child she has never met. Do-jin is worried about her health and wants her to quit, but she can't. "Why can't I be a mother?" She won't give up.

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天堂资源网友评论：刚看完，说两句：剥夺 让我越看越没耐心。好题材被拍得很散，挺可惜的。我不太会写影评，就随便说说。如果你很期待，可能会失望。