如果你正在犹豫要不要看，我可以告诉你：电影把英格兰乡村的潮湿与压抑拍得细致入微，梅林一家那场长达40分钟的最终晚餐戏，靠台词博弈就把张力和紧张感塞满了整个房间，没有任何多余动作。 片中最刺痛人心的对比在于：薇兹饰演的角色本应是知识的传递者，却在生理极限面前显得脆弱不堪，这种智力光环与肉体衰败的错位，深刻揭示了社会结构性压迫的残酷。 薇兹和麦克马克演得特真实，看着就觉得生活就在眼前。这不是那种一眼望穿结局的故事，当她们从深山野岭一路漂泊到城市，看着那个曾经的“公主”不得不在酒吧里隔着玻璃杯碰杯，眼里的光一点点暗下去，你会真切地感到一种窒息般的绝望。当其中一人踏上看似光鲜却空洞的法国大亨追求之旅时，另一个人则意外邂逅了来自印度某偏远岛屿的环保主义与诗人。保罗·贝坦尼在片中展现的温柔与无奈，薇兹从怯懦到坚韧的成长弧光，都充满了真实的力量。

　　"Daughters of the Dust" tells the story of a family of African-Americans who have lived for many years on a Southern offshore island, and of how they come together one day in 1902 to celebrate their ancestors before some of them leave for the North. The film is narrated by an unborn child, and ancestors already dead also seem to be as present as the living.

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