故事是这样的：一群找不到稳定工作的年轻人，挤在首尔一栋破旧的公寓楼里。剧情没啥大起大落，就是他们互相吐槽、偶尔帮把手，慢慢处出了家人味儿。影片拒绝煽情，用重复出现的楼道声控灯故障暗喻机会的时亮时灭，适合偏好东亚现实主义、能接受慢节奏心理描写的影迷。一次意外的电梯故障让这群平时互不搭理的住户被困在公用洗衣房，只能轮流用烘干机取暖。导演用大量手持长镜头和细微的环境音（比如水管漏水声、隔壁炒菜声）营造出逼仄的真实感，没有刻意煽情，反而让那些笨拙的互助瞬间格外戳人。导演数次用固定长镜头对准公共走廊的荧光灯管，冷光下的集体沉默比任何台词都更锋利。

Nothing is more frightening, as the narrator points out, than a ‘time-rich nosy person’. Exhibit A is Ahn Geo-ul (Gyeong Su-jin), who commits herself to social justice causes with terrifying tenacity. After temporarily renting a unit in the Baek-sae Apartment building, she discovers that a loud, hard to locate banging noise occurs from 4am every night, making the residents’ lives an insomniac hell – and so she determines to engage in her own disruption and to find the culprit of this acoustic assault, simultaneously eliminating her eccentric neighbours as suspects, and recruiting them to her cause.                                    
                               　　Focusing on a woman who is an unstoppable force for good, it is also a plea for community cohesion and solidarity.

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