这片子一开场就挺有意思，用个转场就把兄妹俩的难兄难弟关系演活了，节奏挺紧凑。导演塔费里没有用煽情的俗套去博取同情，而是像一面粗糙的镜子，如实映照出底层社会那种甚至有些残酷的原始生命力。玛格丽·塔费里用这样克制的近景，把整部电影的命题缝进一条裤子的褶皱里：善意从不是顿悟，而是笨拙的、反复的试探。Sara Ciocca演的同龄女孩递来的橘子糖纸、Samuele Carrino低头时耳尖的红，都像没说出口的暗号：那些被规训的“正确”，从来都装不下少年眼底的光。 比起看干巴巴的剧情片，这种群像戏看着特带感，每个人都不一样，看着他们互损互爱，像是看着自己当年的那帮损友。 克劳迪亚·潘多尔菲演的妈妈尤其让人疼：她会在卢卡藏裤子时故意"视而不见"，却在深夜把止痛药塞进他枕头底下，药盒上还压着张便签——"给你爸爸，也给我的男孩"。

Andrea had just turned fifteen when he decided to take his life. He seemed to be a happy teenager, with good grades at school and an excellent relationship with his parents. There seemed to be no explanation for what he did, until his mother accessed his Facebook profile and reconstructed the terrifying bullying and cyberbullying her son was going through at school.

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