《之间》以碎片化的章节体叙事切割日常的绵密褶皱，导演Min Doo-sik刻意弱化因果链条，让镜头在狭小的公寓空间内游移，用家具的隔断与光影的明暗勾勒人物关系的疏离感。千万别当爆米花片，得找个安静时候慢慢品。这片子特别安静，镜头老怼着人脸上那些小表情、小动作，话不多，但那种“不知道怎么开口”的尴尬和亲近感，全给抖出来了。如果你不介意慢镜头看人发呆，习惯从细节缝隙里自己找故事，这部比大多数同类作品更耐嚼。千玗嬉那时还很青涩，但恰恰是那种生硬的闯入感，让这段“之间”的关系更加难堪。这种“不让观众轻易共情”的克制，反而让那些未说出口的芥蒂更真实。

A man (Ki Tae-yeong) is imprisoned for murdering his father, a woman (Han Soo-jeong) is given a terminally ill life, Song Jang-soo (Park Cheol-min) stands at the edge of the cliff to end his life and coffee shop girl Jeon Na-ri (Cheon Woo-hee) who has nothing but debt, all come together! These special people meet at the shining point of their lives. Will happiness come after to...

相关搜索：