嘿，我跟你说，《洪水未至》这片子挺特别的。剧情没有反转，真正的悬念藏在那些被洪水冲走的旧信件里——而导演到最后都没把信的内容交出来。叙事像未拧紧的水龙头，通过几个中年男性在灰色小镇中日复一日的沉默对峙，让缺席的「洪水」成为悬在观众头顶的隐喻。 导演Marat Sargsyan用近乎白描的固定镜头和漫长的静默，把恐慌一步步熬成了疲惫与荒诞。演员们很克制，尤其是Valentinas Masalskis演的那个老头，他坐在门槛上抽烟，手指头抖了两下，什么都没说，但我心里一下子就揪紧了。演员群像以极少的对白完成角色塑造：Daumantas Ciunis用松弛却僵直的肢体语言传递出人物对命运的麻木，而Valentinas Masalskis长镜头中一次微不可查的嘴角抽搐，便道尽了中年人在虚妄希望下的疲惫。

入围2020年威尼斯电影节影评人周单元 　　A blue screen informs that war has begun. What will be needed? Collect the men, find guns, or maybe someone will give them. We need a location, a country where the war would take place. No problem, the Colonel is a real pro, he has caused wars to order, or on orders, on multiple occasions in different countries. Now his followers have grown up and caused a w...

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