这是一部看了让人心里发涩的电影。Audry的镜头冷静而克制，没有过度渲染情欲，而是通过封闭的女校空间、重复的走廊与楼梯调度，营造出一种压抑而又暗流涌动的氛围。怎么说呢，整部片子就像一本被翻旧了的少女手记——画面有种朦胧的柔光感，镜头里女校的走廊、宿舍、花园都带着种欲说还休的克制。适合偏爱心理刻画、不抗拒暧昧情绪闷片的观众，尤其是那些对女性间复杂关系与上世纪教育生态感兴趣的人。剧情没有直白的告白或激烈对峙，所有情绪都藏匿于课间喧哗中的沉默、深夜烛光下的日记——这种克制的叙事正是影片的张力所在。奥莉维娅对女教师的情感，全藏在偷瞄的眼神、欲言又止的嘴角和慌乱收回的手指上，那种克制而灼热的暗涌，比任何直白告白都更揪心。

大概是法国第一部描写女同志的故事片吧。　　Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.　　French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.

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