《开麦拉狂想曲》是90年代好莱坞狂想曲风格剧情片的代表作，复古的韦斯·安德森美学令人惊艳。故事设定在1999年，信奉邪教的摄影师突然被掳走，一段疯狂搜索揭示了藏在光鲜外表下的肮脏交易。影帝阿尔·帕西诺贡献了极具爆发力的表演，精准诠释了人戏难分的狂躁与悲凉。导演巧妙地用多线叙事串联起好莱坞那段光怪陆离的黑白片时代，新旧两代影人的爱恨纠葛与对电影本质的执念交织，冲突迭起且极具张力。强烈推荐给所有影迷，特别是那些喜欢回味旧好莱坞风情、探讨艺术与商业博弈的观众，绝对过瘾。如果你厌倦了浮夸的狗血剧情，只想看一群失意中年人如何在名利场中玩弄心机、互相撕咬，那这场充满黑色幽默的“名利场困兽斗”绝对会扣住你的心弦。

A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.　　Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.

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