这部电影最打动人的是它那种朴实得近乎残酷的真诚。那种生活化的琐碎和争吵，真真切切地让人想起自己家过年时的热乎劲儿，时间仿佛都慢下来了。看着彼得·采佩克和玛丽·罗苏尔科娃在时代风浪里挣扎，想活出个样儿却又被环境死死按住，那种无力感特别真实。影片用克制的笔触描绘了一家之主谢赫的衰老与尊严，那些深夜里摇曳的烛光，把一种无声的悲凉照得格外真切。看着赫兹镜头里那些家长里短的拉锯战，那些甚至有些窒息的互不相让，其实都是生活最原本的纹理。整部片子虽然看着黑漆漆的，没啥大动静，但那种“日子还得过”的无奈感特别戳人。

In small czech town named Jilemnice live unfortunate, but brave and jovial woman Štěpa Kiliánová, whose only desire was to fill the void in her virgin life. In despair and excessive trust, she married a sardonic, reclusive man, former lieutenant and gambler Pavel Malina, whose only wish was finally found peace and forgetting the past. They lived through unrequited love, dislike and disappointment. But no one knew that her groom begin to show signs of cerebral disease, which in the coming years engulf his sanity.

相关搜索：

自制油灯
古代油灯贵还是蜡烛贵
老式油灯
蜡烛灯
桐油灯