影片开场满屏的黑白胶片噪点瞬间就把人拉进了一种压抑又沉重的氛围，没有华丽运镜，就是那股子不讲道理的日常现实感，冷冰冰地往人心里撞。Tatyana Mychko与Lidiya Dranovskaya的表演并未依靠夸张台词，而是通过眼神与肢体语言的细微留白，精准诠释了人物在时代洪流中的无力感。季纳伊达·沙尔科与奥列格·弗拉基米尔斯基的对手戏充满了张力，他们被困在琐碎的争吵、暧昧与心碎里，那种“想靠近却无能为力”的无力感，会让都市里的孤独者深深共情。如果你厌倦了戏剧化的电影套路，渴望在细碎的现实碎片中触碰人性最真实的温度，这部电影非常值得静下心来细品。而且人物关系搞得特别乱，你会一直盯着屏幕找前因后果。✿。

It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)

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