故事是这样的：在吉隆坡深夜的街头，一名网约车司机接连接载了几位身份各异的乘客——急着赶末班车的护士、醉醺醺的生意人、神色慌张的年轻女子。主演博朗·帕拉雷用紧握方向盘的指节和偶尔瞟向空座的眼神，就让人读懂了这个男人背负的秘密。没有英雄救美，只有凌晨三点雨中等不到下一单的焦灼。导演穆扎默·拉曼用的是近乎纪录片的笔触，镜头大多卡在车厢内，靠对话和人物细微的表情撑起整场戏。那种琐碎日常里的尴尬、疲惫和偶尔的善意，让我好几次鼻子发酸。它不像《出租车司机》那样戾气冲天，也不像《孟买日记》那样文艺腔调——导演几乎是用偷拍的方式，把镜头架在副驾，让观众跟着司机一单单跑下去。

After his father's death, the unemployed Aman returns to Kuala Lumpur and embarks illegally on a ride-hailing service, as he fails to obtain a driving license due to his color blindness. When his landlord chases him out of his rental accommodation, he ends up sleeping in his car. A chance encounter with Bella, a Chinese 'escort girl', grants Aman a temporary residence at her place. In return, she asks Aman to become her driver. As they become closer, Bella confides in Aman about her intention to leave Malaysia. Complications ensue when Bella finds herself pregnant and decides to have an abortion.

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