塞西尔·B·戴米尔的叙事野心在此片中展现得淋漓尽致。 早川雪洲演得太绝了，这种坏坏的富家公子形象在他身上太鲜活，尤其是那个甩着外套、推门进来的镜头，愣是透股邪魅劲儿。戴米尔独特的“侧拍法”镜头语言，既强化了阿部丰在此塑造的“大和魂”式的东方英雄气质，又精准捕捉了早川雪洲肢体语言中的张力。比起传统家庭伦理的温吞，这里没有温情脉脉的救赎，只有两个孤独灵魂在绝望中互相试探与窒息。这绝对是那种硬核的剧情控必看之作，不用动脑子享受就是了，看着特爽。导演戴米尔用镜头捕捉了那个年代上流社会的浮华，镜头下不仅是繁复的蕾丝与珠宝，还有人心在欲望前的扭曲变形。

Edith Hardy uses charity funds for Wall Street investments in hopes of buying some new gowns. She loses all the money and borrows from wealthy oriental Tori. When her husband gives her the amount she borrowed, Tori won't take it back, branding her shoulder with a Japanese sign of his ownership. She shoots him. Her husband takes the blame. In court Edith reveals all to an angry mob. Written by Ed Stephan {stephan@cc.wwu.edu}　　Richard Hardy, a hardworking stockbroker, labors overtime to keep up with the ruinous bills incurred by his beautiful but irresponsible wife Edith, a venal, spoiled socialite who is impervious to his pleas for fiscal restraint. Acting on what she believes to be an insider information, she impulsively embezzles $10,000 from the Red Cross charity she chairs for a stock tip. When she finds the money has been lost, she desperately turns to a Japanese ivory trader with whom she has been thoughtlessly flirting and persuades him to replace the money in exchange for an assignation. When her husband's long-awaited business deal finally materializes, she desperately tries to withdraw from their agreement by replacing the money. Angered and disappointed with her resistance to his advances, he uses a branding device to mark her shoulder as his property. Feeling violated, Edith shoots him in the shoulder and leaves. In order to protect his wife's reputation, Richard confesses to the crime and faces trial for attempted murder. Written by Gabe Taverney (duke1029@aol.com)

相关搜索：

蒙蔽和蒙骗的区别
蒙笔画
空蒙
蒙哄
坑蒙拐骗近义词