如果你正在犹豫要不要看，我可以告诉你：这部电影值得你花两小时安静地坐进那个19世纪葡萄牙贵族家庭的客厅。推荐给喜欢欧洲古典文学、不介意用耐心换后劲的朋友。阿德里亚诺·拉兹饰演的若昂·达·马亚将贵族子弟的颓废自负拿捏得恰到好处，而丽塔·布兰科则用微妙的眼神变化暗示玛丽亚内心深处的悲哀。马利亚·弗洛饰演的女主角，一个转身、一次垂眼，就把上流女性在礼教与热情之间的窒息感演活了；而João Perry的贵族父亲，那点尴尬的咳嗽和手指的颤抖，比大段台词更戳人。导演若昂·伯特洛几乎不用配乐，只用长镜头和自然光，把一家人聚在餐桌前、走廊里那些欲言又止的瞬间拍得让人坐立不安。演员们并不卖力煽情，反而用克制托住了原著的分量。

The tragedy and comedy in Carlo's life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

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